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An 18thC poem reimagined
with music, song and hilarity.

​Aeval Productions
in association with
O'Punksky's theatre
present
The Midnight Court

​A Traditional Opera by Seán Tyrrell
Directed by Maelíosa Stafford
Translation by David Marcus 


...where women find their voice
and men face the music...
​
​Galway Town Hall
June 2020 & National Tour
Cancelled due to Covid'19
Banned and beloved in equal measure, Cúirt an Mheán Oíche or The Midnight Court, written by Brian Merriman in 1780, is widely considered to be one of the greatest ever Irish comic poems.

In 1992 Seán Tyrrell, legendary musician and songwriter, was inspired to bring this classic work to the stage. He approached Maeliosa Stafford at the Druid and working with David Marcus' fresh translation the production had its debut as part of the Galway Arts Festival. The Midnight Court became a cult hit, performed only at midnight with women on one side of the auditorium and men on the other. Since then it has played throughout Ireland and toured to  Edinburgh and the USA.


Now, in 2020, Seán and Maeliosa are reviving the production with a new cast and global aspirations. The new production will premiere at the Town Hall Theatre in Galway in June.


When first translated into English in 1945, the poem was immediately banned by the Irish Censorship Board. The story is as true today as when it was first written centuries ago, taking swipes at gender inequality, celibacy and political corruption.

​Seán Tyrrell's adaptation pulls no punches. His musical score draws on his abiding love of traditional instrumentation and the libretto reflects his acute social and historical sensibility.  Together
​Seán and Maeliosa have created a hilarious satyrical romp where the battle of the sexes is played out with gusto. 
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Image by Pauline Bewick.
The production will be a collaboration between Seán Tyrrell’s Aeval Productions and Maelíosa Stafford’s Australian production company, O’Punksky's theatre. Initially it is planned to stage the production in ten centres throughout Ireland during 2020 and then to take the production to Australia. 

​The acclaimed artist Pauline Bewick has very kindly given permission to use her visual translation of the Midnight Court as part of the design and for the promotion of the production. 


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Image by Pauline Bewick
For more information please contact
Maeliosa Stafford:
fordstafford@bigpond.com

The Midnight Court Reviews 

"...this classic example of early Irish feminism has transcended centuries...
....The Midnight Court is a special marriage of living art and tradition.  

...The poem was given a dramatic presentation with all the boost and blast-off that song and music and topical allusion can provide. The psychosexual demons were no longer at bay but rampant and fully recognized. Orpheus had been remembered in Ireland."
Seamus Heaney - Nobel Poet Laureate 


“Sean Tyrrell plays Mandolin, Mando cello, Banjo, and Tenor guitar disguised it seems as Leon Redbone. The music a light mix of Celtic blues with an encompassing palette for pastiche.”
Ian Hill - The Guardian 


"...boisterous, colourful, risqué, raunchy, hilarious, melodious, and was sexy.”
Eamonn Mc Cann - HotPress 


"Sean Tyrell's musical settings are drawn from a wide range of styles, from the traditional to swing band and includes a wonderful moment when "The Sash" encounters "Viva Espana...
The Midnight Court, cheeky, bawdy and occasionally touching by turns...

The paintings which form the set, selected and presented by Pauline Bewick, are a joy...
The company is owed thanks for bringing this neglected classic to new and wider audiences

Bill Dunlop 14 August 2008 EdinburghGuide.com. 


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